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8 January 1836 – 25 June 1912. Most renowned painters.

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CARLEVARIS, Luca
The Sea Custom House with San Giorgio Maggiore (detail) fg

ID: 05827

CARLEVARIS, Luca The Sea Custom House with San Giorgio Maggiore (detail) fg
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CARLEVARIS, Luca The Sea Custom House with San Giorgio Maggiore (detail) fg


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CARLEVARIS, Luca

Italian Baroque Era Painter, ca.1665-1731  Related Paintings of CARLEVARIS, Luca :. | The Reception of Cardinal Cesar d Estrees | Piazza San Marco with Jugglers fd | The Piazzetta and the Library | The Sea Custom House with San Giorgio Maggiore (detail) fg | Seascape |
Related Artists:
PREDIS, Ambrogio de
Italian Early Renaissance Painter, ca.1455-1508 Painter and illuminator, half-brother of Cristoforo de Predis. He began his career as an illuminator, working with Cristoforo. His first documented works are seven miniatures for a Book of Hours (1472; destr.) for Vitaliano Borromeo (1451-95) and a Book of Hours for Francesco Borromeo. He was paid for the latter in 1474, and the codex can probably be identified with the Horae Beatae Virginis Mariae (ex-H. P. Kraus, New York, 1987; Suida, 1959). From 1479 he artist worked in the Milanese mint, together with his brother Bernardino. For some years Giovanni Ambrogio also worked at the court of Ludovico Sforza ('il Moro'), especially as a portrait painter. This is borne out by the charcoal drawing of Bianca Maria Sforza (1492; Venice, Accad.), which dates from a period before her marriage to Emperor Maximilian I. The portrait was ordered by her future husband, through Frederick III, Duke of Saxony, to give him an idea of her appearance. It was favourably received, and later a painting of the same subject (Washington, DC, N.G.A.) was commissioned from Giovanni Ambrogio.
Joseph Wright
1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794
CRAYER, Gaspard de
Flemish painter (b. 1584, Antwerpen, d. 1669, Ghent)






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